Kristina Queen of Vampires

    (NBM, 2005)
™ and © 2005 Frans Mensink

Centuries ago, the vampire Kristina was cornered by a mob of angry men with torches, pitchforks and most significantly, wooden stakes. As Kristina was a very beautiful vampire, and since the mob had conveniently stripped her of her clothes, the men decide that their desire for revenge could be postponed long enough to satisfy some other desires. The arrival of the local priest put matters back on track, however, and the remains of Kristina were soon relegated to an old, neglected cemetery.

Flash forward to the present where a drug dealer has a disagreement with a client in that same cemetery. When the client shoots the drug dealer, his blood flows down to Kristina’s waiting remnants. A revived and vibrant Kristina erupts from her long sleep and feasts on both of these of corrupt specimens of humanity.

The sexual exploits of Kristina and most of the rest of the characters are the primary focus of this title. The vampire story is a mere framework used to portray a myriad of sexual scenarios. The lifelike representation of the female form, as painted by Frans Mensink, is inversely proportional to the stilted and absurd dialogue. But then expecting proficient writing in this book is like expecting nutritional value in junk food. That’s just not its intention.

— George Haberberger
Jump to issue:
  NotesWriterArtist